Show Times

Friday 14, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

Friday 14, December

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

Friday 14, December

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Friday 14, December

The Grinch

The Grinch

PGFor brief rude humor

Friday 14, December

Saturday 15, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

Sunday 16, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

Monday 17, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

Tuesday 18, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

Wednesday 19, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

Thursday 20, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

Creed II

Creed II

PG-13for sports action violence, language, and a scene of sensuality

Life has become a balancing act for Adonis Creed. Between personal obligations and training for his next big fight, he is up against the challenge of his life. Facing an opponent with ties to his family’s past only intensifies his impending battle in the ring. Rocky Balboa is there by his side through it all and, together, Rocky and Adonis will confront their shared legacy, question what’s worth fighting for, and discover that nothing’s more important than family. Creed II is about going back to basics to rediscover what made you a champion in the first place, and remembering that, no matter where you go, you can’t escape your history.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

Thousands of years after civilization was destroyed by a cataclysmic event, humankind has adapted and a new way of living has evolved. Gigantic moving cities now roam the Earth, ruthlessly preying upon smaller traction towns. Tom Natsworthy (Robert Sheehan)—who hails from a Lower Tier of the great traction city of London—finds himself fighting for his own survival after he encounters the dangerous fugitive Hester Shaw (Hera Hilmar). Two opposites, whose paths should never have crossed, forge an unlikely alliance that is destined to change the course of the future. Mortal Engines is the startling, new epic adventure directed by Oscar®-winning visual-effects artist Christian Rivers (King Kong). Joining Rivers are The Hobbit and The Lord of the Rings trilogies three-time Academy Award®-winning filmmakers Peter Jackson, Fran Walsh and Philippa Boyens, who have penned the screenplay. The Universal and MRC adaptation is from the award-winning book series by Philip Reeve, published in 2001 by Scholastic. On board as producers are Zane Weiner (The Hobbit trilogy), Amanda Walker (The Hobbit trilogy) and Deborah Forte (Goosebumps), as well as Walsh and Jackson. Ken Kamins (The Hobbit trilogy) joins Boyens as executive producer. Universal will distribute the film worldwide.

Ralph Breaks the Internet

Ralph Breaks the Internet

PGfor some action and rude humor.

WRECKING THE INTERNET — Wreck-It Ralph is heading back to the big screen—this time he's wrecking the internet. John C. Reilly returns as the voice of the bad-guy-turned-good, Ralph, and Sarah Silverman once again lends her voice to the girl with the game-winning glitch, Vanellope von Schweetz. Directed by Rich Moore and Phil Johnston, and produced by Clark Spencer, the untitled sequel hits theaters on March 9, 2018.

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind. Spider-Man: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

The Grinch

The Grinch

PGFor brief rude humor

Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations. When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas. To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh.

Meanwhile, down in Who-ville, Cindy-Lou Who—a young girl overflowing with holiday cheer—plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother. As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch’s more nefarious one. Will Cindy-Lou achieve her goal of finally meeting Santa Claus? Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?