Show Times

Friday 14, December

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

Friday 14, December

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

Friday 14, December

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

Friday 14, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Friday 14, December

The Grinch

The Grinch

PGFor brief rude humor

Friday 14, December

Saturday 15, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

Sunday 16, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

Monday 17, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

Tuesday 18, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

Wednesday 19, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

Thursday 20, December

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

The Grinch

The Grinch

PGFor brief rude humor

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

Bohemian Rhapsody

Bohemian Rhapsody

PG-13

BOHEMIAN RHAPSODY is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury, who defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet.

The film traces the meteoric rise of the band through their iconic songs and revolutionary sound, their near-implosion as Mercury’s lifestyle spirals out of control, and their triumphant reunion on the eve of Live Aid, where Mercury, facing a life-threatening illness, leads the band in one of the greatest performances in the history of rock music. In the process, cementing the legacy of a band that were always more like a family, and who continue to inspire outsiders, dreamers and music lovers to this day.

Mortal Engines

Mortal Engines

PG-13sequences of futuristic violence and action.

Thousands of years after civilization was destroyed by a cataclysmic event, humankind has adapted and a new way of living has evolved. Gigantic moving cities now roam the Earth, ruthlessly preying upon smaller traction towns. Tom Natsworthy (Robert Sheehan)—who hails from a Lower Tier of the great traction city of London—finds himself fighting for his own survival after he encounters the dangerous fugitive Hester Shaw (Hera Hilmar). Two opposites, whose paths should never have crossed, forge an unlikely alliance that is destined to change the course of the future. Mortal Engines is the startling, new epic adventure directed by Oscar®-winning visual-effects artist Christian Rivers (King Kong). Joining Rivers are The Hobbit and The Lord of the Rings trilogies three-time Academy Award®-winning filmmakers Peter Jackson, Fran Walsh and Philippa Boyens, who have penned the screenplay. The Universal and MRC adaptation is from the award-winning book series by Philip Reeve, published in 2001 by Scholastic. On board as producers are Zane Weiner (The Hobbit trilogy), Amanda Walker (The Hobbit trilogy) and Deborah Forte (Goosebumps), as well as Walsh and Jackson. Ken Kamins (The Hobbit trilogy) joins Boyens as executive producer. Universal will distribute the film worldwide.

Once Upon A Deadpool

Once Upon A Deadpool

PG-13For intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material.

To kick off the holiday season, the (sometimes) good guy in red is delivering the official trailer for ONCE UPON A DEADPOOL from 20th Century Fox! Audiences of almost all ages will soon be able to enjoy the Merc with the Mouth's reimagining of Deadpool 2 filtered through the prism of childlike innocence. "Fox has been asking for a PG-13 basically since the start in 2006," Ryan Reynolds told Deadline. "I've said no since 2006. Now, this one time, I said 'Yes' on two conditions. First, a portion of the proceeds had to go to charity. Second, I wanted to kidnap Fred Savage. The second condition took some explaining..."

Fred Savage will join Reynolds in new scenes for ONCE UPON A DEADPOOL in an homage to Savage's starring role in the 1987 bedtime-story classic THE PRINCESS BRIDE. Fred remarked, "while my participation in this film was anything but voluntary, I am happy to learn that Fudge Cancer will be the beneficiary of this shameless cash grab". For every ticket sold, $1 will go to the charity Fudge Cancer - previously known as Fuck Cancer, who have graciously changed their name to be more PG-13 friendly for the 12 days of ONCE UPON A DEADPOOL’s release.

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse

PGfor frenetic sequences of animated action violence, thematic elements, and mild language.

Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind. Spider-Man: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

The Grinch

The Grinch

PGFor brief rude humor

Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations. When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas. To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh.

Meanwhile, down in Who-ville, Cindy-Lou Who—a young girl overflowing with holiday cheer—plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother. As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch’s more nefarious one. Will Cindy-Lou achieve her goal of finally meeting Santa Claus? Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?