Wes Anderson first illustrated his lovingly detailed, slightly surreal cinematic vision (with cowriter Owen Wilson) in this visually witty and warm portrait of three young misfits. Best friends Anthony (Luke Wilson), Dignan (Owen Wilson), and Bob (Robert Musgrave) stage a wildly complex, mildly successful robbery of a small bookstore, then go “on the lam.” During their adventures, Anthony falls in love with a South American housekeeper, Inez (Lumi Cavazos), and they befriend local thief extraordinaire Mr. Henry (James Caan). Bottle Rocket is a charming, hilarious, affectionate look at the folly of dreamers, shot against radiant southwestern backdrops, and the film that put Anderson and the Wilson brothers on the map.
When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired. Branded to Kill tells the ecstatically bent story of a yakuza assassin with a fetish for sniffing steamed rice (the chipmunk-cheeked superstar Joe Shishido) who botches a job and ends up a target himself. This is Suzuki at his most extreme—a flabbergasting pinnacle of his sixties pop-art aesthetic.
PG-13For thematic elements and some violent images.
Isle of Dogs tells the story of Atari Kobayashi, 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture.
A riveting psychological thriller that investigates the nature of truth and the meaning of justice, Rashomon is widely considered one of the greatest films ever made. Four people give different accounts of a man’s murder and the rape of his wife, which director Akira Kurosawa presents with striking imagery and an ingenious use of flashbacks. This eloquent masterwork and international sensation revolutionized film language and introduced Japanese cinema—and a commanding new star by the name of Toshiro Mifune—to the Western world.
Venice Film Festival Winner - Golden Lion, Italian Film Critics Award
1952 Academy Award Winner - Best Foreign Film
The dazzling sophomore film from Wes Anderson is equal parts coming-of-age story, French New Wave homage, and screwball comedy. Tenth grader Max Fischer (Jason Schwartzman) is Rushmore Academy’s most extracurricular student—and its least scholarly. He faces expulsion and enters into unlikely friendships with both a lovely first-grade teacher (Olivia Williams) and a melancholy self-made millionaire (Bill Murray, in an award-winning performance). Set to a soundtrack of classic British Invasion tunes, Rushmore defies categorization, capturing the pain and exuberance of adolescence with wit, emotional depth, and cinematic panache.
Independent Spirit Awards - Best Director and Supporting Actor (Bill Murray)
Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew, Team Zissou, set sail on an expedition to hunt down the mysterious, elusive, possibly nonexistent Jaguar Shark that killed Zissou’s partner during the documentary filming of their latest adventure. They are joined on their voyage by a young airline copilot (Owen Wilson), a pregnant journalist (Cate Blanchett), and Zissou’s estranged wife (Anjelica Huston). Wes Anderson has assembled an all-star cast that also includes Willem Dafoe, Jeff Goldblum, Michael Gambon, Noah Taylor, Seu Jorge, and Bud Cort for this wildly original adventure-comedy.
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
Cannes - Best Actor (Joaquin Phoenix), Best Screenplay