Selma is a Czech immigrant, a single mother working in a factory in rural America. Her salvation is passion for music, specifically, the all-singing, all-dancing numbers found in classic Hollywood musicals. Selma harbors a sad secret: she is losing her eyesight and her son Gene stands to suffer the same fate if she can't put away enough money to secure him an operation. When a desperate neighbor falsely accuses Selma of stealing his savings, the drama of her life escalates to a tragic finale.
Winner—Palme d'Or and Best Actress at Cannes
2001 Academy Award Nominee—Best Original Song
"Smashes down the walls of habit that surround so many movies. It returns to the wellsprings. It is a bold, reckless gesture."—Roger Ebert
After Portland slacker John Callahan (Joaquin Phoenix) nearly loses his life in a car accident, the last thing he intends to do is give up drinking. But when he reluctantly enters treatment – with encouragement from his girlfriend (Rooney Mara) and a charismatic sponsor (Jonah Hill) – Callahan discovers a gift for drawing edgy, irreverent newspaper cartoons that develop a national following and grant him a new lease on life. Based on a true story, this poignant, insightful and often funny drama about the healing power of art is adapted from Callahan’s autobiography and directed by two-time Oscar nominee Gus Van Sant.
Director Jim Jarmusch followed up his brilliant breakout film Stranger Than Paradise with another, equally beloved portrait of loners and misfits in the American landscape. When fate brings together three hapless men—an unemployed disc jockey (Tom Waits), a small-time pimp (John Lurie), and a strong-willed Italian tourist (Roberto Benigni)—in a Louisiana prison, a singular adventure ensues. Described by Jarmusch as a “neo-Beat noir comedy,” Down by Law is part nightmare and part fairy tale, featuring sterling performances and crisp black-and-white cinematography by the esteemed Robby Müller.
"We are seeing a true film maker at work, using film to create a narrative that couldn't exist on the stage or the printed page of a novel."—NYTimes original 1986 review
Will Hunting (Matt Damon) has a genius-level IQ but chooses to work as a janitor at MIT. When he solves a difficult graduate-level math problem, his talents are discovered by Professor Gerald Lambeau (Stellan Skarsgard), who decides to help the misguided youth reach his potential. When Will is arrested for attacking a police officer, Professor Lambeau makes a deal to get leniency for him if he will get treatment from therapist Sean Maguire (Robin Williams).
1998 Academy Awards Winner—Best Original Screenplay and Supporting Actor
1998 Academy Awards Nominee—Best Picture, Leading Actor, Supporting Actress, Director, Film Editing, Original Song, Score
Winner—Silver Bear at Berlinale
In Steven Spielberg's massive blockbuster, paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) and mathematician Ian Malcolm (Jeff Goldblum) are among a select group chosen to tour an island theme park populated by dinosaurs created from prehistoric DNA. While the park's mastermind, billionaire John Hammond (Richard Attenborough), assures everyone that the facility is safe, they find out otherwise when various ferocious predators break free and go on the hunt.
1994 Academy Awards Winner—Best Sound, Sound Effects Editing, and Visual Effects
*$12 Pitcher specials during all Midnight screenings!*
A quintessential cult film of the 1980s, Alex Cox’s singular sci-fi comedy stars the always captivating Harry Dean Stanton as a weathered repo man in a desolate Los Angeles, and Emilio Estevez as the nihilistic middle-class punk he takes under his wing. The job becomes more than either of them bargained for when they get involved in repossessing a mysterious—and otherworldly—Chevy Malibu with a hefty reward attached to it. Featuring the ultimate early eighties L.A. punk soundtrack, this grungily hilarious odyssey is also a politically trenchant take on President Reagan’s domestic and foreign policies.
"Its legacy and influence are so diffuse and varied that they register as background noise, leaving it to stand not just as a great work of cinema but as a challenge. Why can’t more films be like this?"—Sam McPheeters
*$12 Pitcher specials during all Midnight screenings!*
River Phoenix and Keanu Reeves star in this haunting tale from Gus Van Sant about two young street hustlers: Mike Waters, a sensitive narcoleptic who dreams of the mother who abandoned him, and Scott Favor, the wayward son of the mayor of Portland and the object of Mike’s desire. Navigating a volatile world of junkies, thieves, and johns, Mike takes Scott on a quest along the grungy streets and open highways of the Pacific Northwest, in search of an elusive place called home. Visually dazzling and thematically groundbreaking, My Own Private Idaho is a deeply moving look at unrequited love and life on society’s margins.
Winner—Best Actor at Venice
Independent Spirit Awards Winner—Best Male Lead, Screenplay, and Music
New German Cinema pioneer Wim Wenders (Wings of Desire) brings his keen eye for landscape to the American Southwest in Paris, Texas, a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard. Paris, Texas follows the mysterious, nearly mute drifter Travis (a magnificent Harry Dean Stanton, whose face is a landscape all its own) as he tries to reconnect with his young son, living with his brother (Dean Stockwell) in Los Angeles, and his missing wife (Nastassja Kinski). From this simple setup, Wenders and Shepard produce a powerful statement on codes of masculinity and the myth of the American family, as well as an exquisite visual exploration of a vast, crumbling world of canyons and neon.
2k restoration from a 4K scan of the original 35mm negative. A Janus Films release.
Winner—Palme d'Or at Cannes
"A defiantly individual film, about loss and loneliness and eccentricity...It is true, deep, and brilliant."—Roger Ebert
In an alternate reality of present-day Oakland, Calif., telemarketer Cassius Green (Lakeith Stanfield) finds himself in a macabre universe after he discovers a magical key that leads to material glory. As Green's career begins to take off, his friends and co-workers organize a protest against corporate oppression. Cassius soon falls under the spell of Steve Lift (Armie Hammer), a cocaine-snorting CEO who offers him a salary beyond his wildest dreams. Boots Riley, a labor organizer and the leader of Oakland hip-hop group The Coup calls his debut film “an absurdist dark comedy with magical realism.”
This is where it all started. John Ford’s smash hit and enduring masterpiece Stagecoach revolutionized the western, elevating it from B movie to the A-list and establishing the genre as we know it today. The quintessential tale of a group of strangers thrown together into extraordinary circumstances, Stagecoach features outstanding performances from Hollywood stalwarts Claire Trevor, John Carradine, and Thomas Mitchell, and, of course, John Wayne, in his first starring role for Ford, as the daredevil outlaw the Ringo Kid. Superbly shot and tightly edited, Stagecoach (Ford’s first trip to Monument Valley) is Hollywood storytelling at its finest.
1940 Academy Awards Winner—Best Supporting Actor (Thomas Mitchell) and Best Score
1940 Academy Awards Nominee—Best Film, Director, Black & White Cinematography, Art Direction, Film Editing
Wim Wenders pays loving homage to rough-and-tumble Hollywood film noir in this loose adaptation of Patricia Highsmith’s novel Ripley’s Game. Dennis Hopper oozes quirky menace as an amoral American art dealer who entangles a terminally ill German everyman, played by Bruno Ganz, in a seedy criminal underworld as revenge for a personal slight—but when the two become embroiled in an ever-deepening murder plot, they form an unlikely bond. Filmed on location in Hamburg and Paris and lensed by the inimitable Robby Müller, with some scenes shot in grimy, late-seventies New York City, Wenders’s international breakout is a stripped-down crime story that mixes West German and American film flavors, and it features cameos by filmmakers Jean Eustache, Samuel Fuller, and Nicholas Ray.
4k restoration from the original 35mm negative. A Janus Films release.
"The look of the film is hypnotic: The brashness and deepness of the colors, the exaggeration of lighting and setting, the extraordinary subtlety of some scenes and the almost aggressively cheap and garish look of others."—Roger Ebert
From writer/director Desiree Akhavan and based on the celebrated novel by Emily M. Danforth, The Miseducation of Cameron Post follows Cameron (Chloë Grace Moretz) as she is sent to a gay conversion therapy center after getting caught with another girl in the back seat of a car on prom night. Run by the strict and severe Dr. Lydia Marsh (Jennifer Ehle) and her brother, Reverend Rick (John Gallagher Jr.)—himself an example of how those in the program can be “cured”—the center is built upon repenting for “same sex attraction.” In the face of intolerance and denial, Cameron meets a group of fellow sinners including the amputee stoner Jane (Sasha Lane), and her friend, the Lakota Two-Spirit, Adam (Forrest Goodluck). Together, this group of teenagers form an unlikely family as they fight to survive.
Winner—Grand Jury Prize at Sundance
Suzanne Stone (Nicole Kidman) is a weather reporter at her small-town cable station, but she dreams of being a big-time news anchor. However, she feels that her middle-class husband (Matt Dillon) is holding her back, so she decides to have him murdered. For this, she enlists Jimmy (Joaquin Phoenix), a high school boy who is enamored with her. The plan doesn't work exactly as she intended, though, and her husband's family starts to suspect that she was involved in his death.
"To Die For, sparked by a volcanically sexy and richly comic performance by Kidman that deserves to make her an Oscar favorite, is prime social satire and outrageous fun."—Peter Travers, Rolling Stone
Set on the last day of camp, in the hot summer of 1981, "Wet Hot American Summer" follows a group of counselors who are each trying to complete their unfinished business before the day ends. The entire summer of pent-up sexual frustrations, unresolved post-traumatic stress, pending separations and of course, the talent show, all weigh heavily on the minds and groins of counselors and campers alike.
Fred Rogers led a singular life. He was a puppeteer. A minister. A musician. An educator. A father, a husband, and a neighbor. Fred Rogers spent 50 years on children’s television beseeching us to love and to allow ourselves to be loved. With television as his pulpit, he helped transform the very concept of childhood. He used puppets and play to explore the most complicated issues of the day—race, disability, equality and tragedy. He spoke directly to children and they responded by forging a lifelong bond with him—by the millions. And yet today his impact is unclear. Won't You Be My Neighbor? explores the question of whether or not we have lived up to Fred's ideal. Are we all good neighbors?