Show Times

Sunday 21, January

1945 (Nineteen Forty Five)

1945 (Nineteen Forty Five)

UN

Friday 26, January

The Breadwinner

The Breadwinner

PG-13for thematic material including some violent images

Wonder Wheel

Wonder Wheel

PG-13for thematic content including some sexuality, language and smoking

Saturday 27, January

Wonder Wheel

Wonder Wheel

PG-13for thematic content including some sexuality, language and smoking

The Breadwinner

The Breadwinner

PG-13for thematic material including some violent images

Sunday 28, January

The Breadwinner

The Breadwinner

PG-13for thematic material including some violent images

Wonder Wheel

Wonder Wheel

PG-13for thematic content including some sexuality, language and smoking

Friday 2, February

In Between

In Between

UN

The Final Year

The Final Year

UN

Saturday 3, February

In Between

In Between

UN

The Rocky Horror Picture Show

The Rocky Horror Picture Show

R

Sunday 4, February

The Final Year

The Final Year

UN

In Between

In Between

UN

Super Bowl LII

Super Bowl LII

UR

Friday 9, February

Oscar Shorts 2018: Documentary 1

Oscar Shorts 2018: Documentary 1

UN

Oscar Shorts 2018: Documentary 2

Oscar Shorts 2018: Documentary 2

UN

Oscar Shorts 2018: Animation

Oscar Shorts 2018: Animation

UN

Oscar Shorts 2018: Live Action

Oscar Shorts 2018: Live Action

UN

Saturday 10, February

Oscar Shorts 2018: Live Action

Oscar Shorts 2018: Live Action

UN

Oscar Shorts 2018: Animation

Oscar Shorts 2018: Animation

UN

Oscar Shorts 2018: Documentary 1

Oscar Shorts 2018: Documentary 1

UN

Oscar Shorts 2018: Documentary 2

Oscar Shorts 2018: Documentary 2

UN

Sunday 11, February

Oscar Shorts 2018: Animation

Oscar Shorts 2018: Animation

UN

Oscar Shorts 2018: Documentary 1

Oscar Shorts 2018: Documentary 1

UN

Oscar Shorts 2018: Documentary 2

Oscar Shorts 2018: Documentary 2

UN

Oscar Shorts 2018: Live Action

Oscar Shorts 2018: Live Action

UN

Friday 16, February

Molly's Game

Molly's Game

Rfor language, drug content and some violence

I, Tonya

I, Tonya

Rfor pervasive language, violence, and some sexual content/nudity.

Saturday 17, February

Molly's Game

Molly's Game

Rfor language, drug content and some violence

I, Tonya

I, Tonya

Rfor pervasive language, violence, and some sexual content/nudity.

Sunday 18, February

I, Tonya

I, Tonya

Rfor pervasive language, violence, and some sexual content/nudity.

Molly's Game

Molly's Game

Rfor language, drug content and some violence

Wednesday 21, February

Royal Opera 2017/18 Season: Rigoletto

Royal Opera 2017/18 Season: Rigoletto

TBC

Wednesday 21, March

Royal Opera 2017/18 Season: Tosca

Royal Opera 2017/18 Season: Tosca

TBC

Wednesday 18, April

Royal Opera 2017/18 Season: Carmen

Royal Opera 2017/18 Season: Carmen

TBC

Wednesday 16, May

RSC: Macbeth

RSC: Macbeth

UN

Wednesday 20, June

Royal Ballet 2017/18 Season: Manon

Royal Ballet 2017/18 Season: Manon

TBC

1945 (Nineteen Forty Five)

1945 (Nineteen Forty Five)

UN

On a summer day in 1945, an Orthodox man and his grown son return to a village in Hungary while the villagers prepare for the wedding of the town clerk's son. The townspeople – suspicious, remorseful, fearful, and cunning – expect the worst and behave accordingly. The town clerk fears the men may be heirs of the village's deported Jews and expects them to demand their illegally acquired property back.

Director Ferenc Török paints a complex picture of a society trying to come to terms with the recent horrors they’ve experienced, perpetrated, or just tolerated for personal gain. A superb ensemble cast, lustrous black and white cinematography, and historically detailed art direction contribute to an eloquent drama that reiterates Thomas Wolfe’s famed sentiment: you can’t go home again.

Sunday 21, January

I, Tonya

I, Tonya

Rfor pervasive language, violence, and some sexual content/nudity.

Based on the unbelievable but true events, I, TONYA is a darkly comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill-conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding, a mustachioed Sebastian Stan as her impetuous ex-husband Jeff Gillooly, a tour-de-force performance from Allison Janney as her acid-tongued mother, LaVona Golden, and an original screenplay by Steven Rogers, Craig Gillespie’s I, TONYA is an absurd, irreverent, and piercing portrayal of Harding’s life and career in all of its unchecked––and checkered––glory.

Friday 16, February

Saturday 17, February

Sunday 18, February

Show Future Dates
In Between

In Between

UN

Three Palestinian women living in an apartment in Tel Aviv try to find a balance between traditional and modern culture.

Friday 2, February

Saturday 3, February

Sunday 4, February

Show Future Dates
Molly's Game

Molly's Game

Rfor language, drug content and some violence

Molly's Game is the true story of Molly Bloom a beautiful, young, Olympic-class skier who ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe.

Friday 16, February

Saturday 17, February

Sunday 18, February

Show Future Dates
Oscar Shorts 2018: Animation

Oscar Shorts 2018: Animation

UN

For the 13th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, opening on Feb. 9th. With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners (and have the edge in your Oscar pool)! A perennial hit with audiences around the country and the

world, don’t miss this year’s selection of shorts. The Academy Awards take place Sunday, March 4th.

Friday 9, February

Saturday 10, February

Sunday 11, February

Show Future Dates
Oscar Shorts 2018: Documentary 1

Oscar Shorts 2018: Documentary 1

UN

For the 13th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, opening on Feb. 9th. With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners (and have the edge in your Oscar pool)! A perennial hit with audiences around the country and the

world, don’t miss this year’s selection of shorts. The Academy Awards take place Sunday, March 4th.

Friday 9, February

Saturday 10, February

Sunday 11, February

Show Future Dates
Oscar Shorts 2018: Documentary 2

Oscar Shorts 2018: Documentary 2

UN

For the 13th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, opening on Feb. 9th. With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners (and have the edge in your Oscar pool)! A perennial hit with audiences around the country and the world, don’t miss this year’s selection of shorts. The Academy Awards take place Sunday, March 4th.

Friday 9, February

Saturday 10, February

Sunday 11, February

Show Future Dates
Oscar Shorts 2018: Live Action

Oscar Shorts 2018: Live Action

UN

For the 13th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, opening on Feb. 9th. With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners (and have the edge in your Oscar pool)! A perennial hit with audiences around the country and the

world, don’t miss this year’s selection of shorts. The Academy Awards take place Sunday, March 4th.

Friday 9, February

Saturday 10, February

Sunday 11, February

Show Future Dates
Royal Ballet 2017/18 Season: Manon

Royal Ballet 2017/18 Season: Manon

TBC

Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.

With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.

Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.

MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans.

But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.

Wednesday 20, June

Royal Opera 2017/18 Season: Carmen

Royal Opera 2017/18 Season: Carmen

TBC

Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has.

The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.

This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight.

For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

Wednesday 18, April

Royal Opera 2017/18 Season: Rigoletto

Royal Opera 2017/18 Season: Rigoletto

TBC

Giuseppe Verdi wrote in 1855 that Rigoletto, based on Victor Hugo’s play Le Roi s’amuse, was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.

David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion.

Wednesday 21, February

Royal Opera 2017/18 Season: Tosca

Royal Opera 2017/18 Season: Tosca

TBC

From its strident opening chords, Tosca conjures up a world of political instability and menace. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – and with its gripping plot and glorious music, it’s easy to see why.

A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: Jonathan Kent’s handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards its fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.

Wednesday 21, March

RSC: Macbeth

RSC: Macbeth

UN

Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder.

Our contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.

Macbeth will be broadcast live to cinemas on 11 April 2018.

Wednesday 16, May

Super Bowl LII

Super Bowl LII

UR

Theatre N will show Super Bowl 52 from Minneapolis, MN. Come watch the game on the big screen!

Food & drink will be available for purchase.

Sunday 4, February

The Breadwinner

The Breadwinner

PG-13for thematic material including some violent images

The Breadwinner tells the story of Parvana, an 11-year-old girl growing up under the Taliban in Afghanistan in 2001. When her father is wrongfully arrested, Parvana disguises herself as a boy in order to support her family. With dauntless perseverance, Parvana draws strength from the stories her father told her, and ultimately risks her life to discover if he is still alive.

Equal parts thrilling and enchanting, The Breadwinner is a timely and inspiring tale about the transcendent power of stories, and their potential to unite and heal us all.

Friday 26, January

Saturday 27, January

Sunday 28, January

Show Future Dates
The Final Year

The Final Year

UN

THE FINAL YEAR is a unique insiders' account of President Barack Obama's foreign policy team during their last year in office. Featuring unprecedented access inside the White House and State Department, THE FINAL YEAR offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.

Friday 2, February

Saturday 3, February

Sunday 4, February

Show Future Dates
The Rocky Horror Picture Show

The Rocky Horror Picture Show

R

In this cult classic, sweethearts Brad (Barry Bostwick) and Janet (Susan Sarandon), stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter (Tim Curry), a transvestite scientist.

As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker (Meat Loaf) and a creepy butler (Richard O'Brien). Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named "Rocky."

Saturday 3, February

Wonder Wheel

Wonder Wheel

PG-13for thematic content including some sexuality, language and smoking

Wonder Wheel – Trailer – WONDER WHEEL tells the story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny (Kate Winslet), an emotionally volatile former actress now working as a waitress in a clam house; Humpty (Jim Belushi), Ginny’s rough-hewn carousel operator husband; Mickey (Justin Timberlake), a handsome young lifeguard who dreams of becoming a playwright; and Carolina (Juno Temple), Humpty’s long-estranged daughter, who is now hiding out from gangsters at her father’s apartment.

Cinematographer Vittorio Storaro captures a tale of passion, violence, and betrayal that plays out against the picturesque tableau of 1950s Coney Island.

Friday 26, January

Saturday 27, January

Sunday 28, January

Show Future Dates