In this sensual experimental elegy by Harmony Korine, spellbinding infrared photography evokes a dreamlike portrait of a tormented assassin.

Mortimer Brewster, a newspaper drama critic, playwright and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!

Paulette feels guilty after unjustly punishing her daughter Linda and would do anything to make it up to her. Linda immediately asks for a meal of chicken with peppers, which reminds her of the dish her father used to make. But with a general strike closing stores all across town and pushing people into this streets, this innocent request quickly leads to an outrageous series of events that spirals out of control, as Paulette does everything she can to keep her promise and find a chicken for Linda.

A teacher takes a job at an elite school and forms a strong bond with five students - a relationship that eventually takes a dangerous turn.

A story of romance, passion and violence set in contemporary Paris. Shot all over the city and a little bit in the countryside, it revolves around a romance between two young people who are old friends and devolves into marital infidelity and ultimately crime.

A collection of animated interpretations of great works of Western classical music.

John Ford swapped America's wild west for the verdant valleys of Wales for this Oscar-winning saga of the region's descent from paradise to slagheap. The movie follows the story of Huw (Roddy McDowall) - the youngest of seven children - and his struggle as the unrelenting march of industrialisation take their toll on the family. Though always remembered as the film that best Citizen Kane to the Best Picture Oscar, it is quite simply, a classic - and as relevant now as it was back in 1941.

In this wackadoodle new action comedy that has taken the fantasy-film-festival world by storm, a 19th-century applejack manufacturer living in the Great Lakes region turns fur trapper in order to kill the legion of beavers that threaten his livelihood. If this sounds too violent for your delicate sensibilities, don’t worry. The beavers here are actors in goofy animal costumes and the whole wordless, b&w movie is an affectionate tribute to the gag-filled slapstick comedies of the silent era.

A newly possessed high school cheerleader turns into a succubus who specializes in killing her male classmates. Can her best friend put an end to the horror?

Hitman Jef Costello is a perfectionist who always carefully plans his murders and who never gets caught. One night however, after killing a night-club owner, he's seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner.

Dustin Hoffman excels as “sick,” foul-mouthed, self-destructive 1950s-60s nightclub comedian Lenny Bruce in Bob Fosse’s acclaimed follow-up to Cabaret. Valerie Perrine plays Bruce’s stripper girlfriend Honey.

Travis, a jaded detective, arrives in the remote outback town of Limbo to investigate the cold case murder of local Indigenous girl Charlotte Hayes 20 years ago. As truths about the murder begin to unfold, the detective gains a new insight into the unsolved case from the victim’s fractured family, the surviving witnesses and the reclusive brother of the chief suspect. A poignant, intimate journey into the complexities of loss and the impact of the justice system on Aboriginal families in Australia.

Voted the 16th best movie of all time in the 2022 Sight and Sound “greatest films” poll, Maya Deren’s surreal psychodrama Meshes of the Afternoon was co-directed by her husband, Alexander Hackenschmied (Hammid). A noirish nightmare about a woman haunted by a mysterious hooded figure with a mirror for a face, this 14-min. classic will be followed by two other masterworks by deceased distaff directors: Forugh Farrokhzad’s The House Is Black (Khaneh siah ast, Iran, 1963, 22 min.), a poetic portrait of life in a leper colony; and Sara Gómez’ 73-min. One Way or Another (De Cierta Manera, Cuba, 1977), a fiction-nonfiction hybrid that explores sexism, racism, and class in post-revolutionary Cuba through a love story between a schoolteacher and a factory worker. 16mm/DCP

Follows patients and caregivers at a psychiatric centre with a unique floating structure located in the middle of the Seine river in central Paris.

A young Iranian mother and her six-year-old daughter finds refuge in an Australian women’s shelter during the two weeks of Iranian New Year (Nowrooz) which is celebrated as a time of renewal and rebirth. Aided by the strong community of women at the refuge they seek their freedom in this new world of possibilities, only to find themselves facing the violence they tried so hard to escape.

Martin Scorsese co-directed this documentary that traces the history and influence of The New York Review of Books through its first five decades. Archival footage, contemporary interviews, and quotations from the publication abound.

"The Arc of Oblivion" explores a quirk of humankind: in a universe that erases its tracks, we humans are hellbent on leaving a trace. Set against the backdrop of the filmmaker's quixotic quest to build an ark in a field in Maine, the film heads far afield - to salt mines in the Alps, fjords in the Arctic, and ancient libraries in the Sahara - to illuminate the strange world of archives, record-keeping, and memory.

A woman slowly gleans that her pig-tailed, picture-perfect eight-year-old daughter is in fact a holy terror, prone to lying, theft, and much, much worse. What’s a mother to do? This overwrought, outrageous, but vastly entertaining film version of Maxwell Anderson’s stage shocker is both operatic and campy. Stars Nancy Kelly and Patty McCormack re-create their Broadway roles.

A man staying at a secluded historical mansion finds himself being haunted by the presence of a spectre.

In Victorian England, the uncle of orphaned niece Flora and nephew Miles hires Miss Giddens as governess to raise the children at his estate with total independence and authority. Soon after her arrival, Miss Giddens comes to believe that the spirits of the former governess Miss Jessel and valet Peter Quint are possessing the children. Miss Giddens decides to help the children to face and exorcise the spirits.

Two New York City detectives investigate the death of an attractive young woman. The apparent suicide turns out to be murder.

The Old Oak is the last pub standing in a once thriving mining village in northern England, a gathering space for a community that has fallen on hard times. There is growing anger, resentment, and a lack of hope among the residents, but the pub and its proprietor TJ are a fond presence to their customers. When a group of Syrian refugees move into the floundering village, a decisive rift fueled by prejudices develops between the community and its newest inhabitants. The formation of an unexpected friendship between TJ and a young Syrian woman named Yara opens up new possibilities for the divided village in this deeply moving drama about loss, fear, and the difficulty of finding hope. The release of The Old Oak reunites legendary British director Ken Loach with Zeitgeist Films and Kino Lorber following our 2020 release of his film Sorry We Missed You. Loach, who is 87 years old, has announced that The Old Oak will be his final film.

Robert Thorn, an American diplomat living in Rome, learns that his infant son died moments after birth. Rather than tell his wife Katherine the truth, which he fears would shatter her emotionally, Robert secretly arranges the adoption of another baby through the Catholic church. Years pass and the Thorn's child, Damien, has a happy, normal childhood. Robert is named Ambassador to the Court of Saint James, and the family relocates to a lavish estate in the English countryside. But their seemingly idyllic life begins to change when, during Damien's fifth birthday, the boy's nanny suddenly commits suicide. Shortly thereafter, Robert is approached by Father Brennan, who claims he was present at the hospital when Damien's adoption took place. He is convinced that the boy is the son of the Devil, and that only a man named Bugenhagen, who lives in Israel, has the power to kill him. Robert initially believes the priest to be mad, but his faith begins to waiver as everyone around Damien is subjected to a series of freak, horrific incidents.

This revolutionary DIY parody film and hilarious reimagining of the classic autobiographical coming-of-age story follows an unconfident, closeted trans girl as she moves to Gotham City to make it big as a comedian by joining the cast of UCB Live - a government-sanctioned late night sketch show in a world where comedy has been outlawed. As mainstream success eludes our heroine, leading her to unite with a ragtag team of rejects, misfits, and a certain love interest named Mister J, "Joker the Harlequin" is born again as a confident (and psychotic) joker on a collision course with the city's fascist caped crusader. Vats of feminizing chemicals, sexy cartoon interludes, scarecrow psychiatrists, CGI Lorne Michaels, and psychedelic gender dysphoria all play supporting roles. Helmed by writer/director/editor/star Vera Drew and using her own life experiences as a basis for the film, THE PEOPLE'S JOKER is a deeply personal journey that's as much documentary as it is parody.

Gu Wentong, a middle-aged food critic, is drifting through the local eateries of vibrant Beijing with his younger photographer colleague Oyang. A divorcé with a 6-year-old daughter and estranged from his father for decades, he is looking for a new perspective on life while reconsidering his failings as a father, a son, and a lover. While the seasons come and go, people get together and move apart. Only one thing will remain the same: The White Pagoda where they all meet sooner or later…

One of the five nominees for the 2024 Oscar for Best Int’l Feature (and hopefully the runner-up to the worthy winner The Zone of Interest) is a tense examination of the challenges of teaching multicultural students in a politically-sensitive environment. An idealistic instructor at a German middle school sets off a chain of nightmarish events when she investigates a theft in the teachers’ lounge. Winner of five 2023 German Film Awards (Lolas) including Best Fiction Film, Director, Actress, and Screenplay.

Former detective Nick Charles and his wealthy wife Nora investigate a murder case, mostly for the fun of it.

On January 5, 1900, a disheveled looking H.G. Wells - George to his friends - arrives late to his own dinner party. He tells his guests of his travels in his time machine, the work about which his friends knew. They were also unbelieving, and skeptical of any practical use if it did indeed work. George knew that his machine was stationary in geographic position, but he did not account for changes in what happens over time to that location. He also learns that the machine is not impervious and he is not immune to those who do not understand him or the machine's purpose. George tells his friends that he did not find the Utopian society he so wished had developed. He mentions specifically a civilization several thousand years into the future which consists of the subterranean morlocks and the surface dwelling eloi, who on first glance lead a carefree life. Despite all these issues, love can still bloom over the spread of millennia

In the English village of Midwich, the blonde-haired, glowing-eyed children of uncertain paternity prove to have frightening powers.

The most expensive African film production up to that time, this long-neglected, anti-colonialist musical extravaganza is set on a vast slave-ship set, where centuries of French oppression in the West Indies are explored via a mix of theatrical and cinematic conventions. French-Mauritanian filmmaker Med Hondo said he “wanted to free the very concept of musical comedy from its American trade mark,” and he succeeded. “An exhilarating cinema experience…A scathing and unapologetic attack on French imperialism and racism.” –Philip Concannon, British Film Institute.

It opens with a wedding and ends with a funeral, and in between are almost three hours of some of the most rapturous cinema you will ever see. Edward Yang’s final film is an extravagantly praised, multi-generational saga that focuses on a middle-aged, middle-class Taipei couple (he works at a computer company, she joins a religious cult), their young daughter and son, and assorted friends and relatives who complicate their lives. Characters represent different stages of life and emotions run the gamut in this modern classic, one of the 21st century’s undisputed screen masterpieces.